Interpol Turn On The Bright Lights 10th Anniversary Rar
Rediscovering Interpol’s 2002 debut, Turn on the Bright Lights, is a stark reminder of the band’s disappointing trajectory over the past 10 years. Interpol started out as one of the more unique bands to come out of the Y2K post-punk revival. Unlike the affected Strokes or the glossed-up Killers, these four thin Manhattanites took a sober, workmanlike approach to rock, pairing their black-and-crimson business-casual attire with churning guitars, surreal lyricism, and bleak urban imagery.
Interpol Turn On The Bright Lights Tenth Anniversary Edition Rar
Listen to your favorite songs from Turn On The Bright Lights: The Tenth Anniversary Edition (Remastered) by Interpol Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Download our mobile app now. Turn On The Bright Lights: The 10th Anniversary Edition. Turn On The Bright Lights. Interpol’s debut album seized the imagination of a generation.
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Yet as soon as Interpol met stardom, they slowly, almost methodically, trailed off into hookless mediocrity, first with the uneven Antics and then with the B-side depositories that were Our Love to Admire and. The roiling pathos that seemed to drive the band has long dissipated, leaving behind little more than an empty pastiche of INC vests, shiny aviators, and decorative holsters. Yet despite the slow fade, Turn on the Bright Lights continues to evoke the once-invigorating aspects of Interpol’s darkly stylish sound. The band’s winning formula was pairing Joy Division’s gothic, staccato-laced melodies with elements all their own: Carlos D’s elastic basslines; vocalist Paul Banks’s deadpan, near-sarcastic diary of lonerism; and a good dose of chasmal reverb that looms large like the gray skyscrapers of their native New York. Imagery of the Big Apple riddles Interpol’s work, with the cynical conclusions of songs like “NYC” (“The subway, she is a porno/The pavements, they are a mess”) and “Obstacle 2” (“I’ll stand by all this drinking if it helps me through these days”) reflecting the city’s post-9/11 haze of uncertainty. The band’s peeling guitar lines—a sound so expressive and sonorous that younger acts like the xx have incorporated it into their very own identities with little, if any, modification—adds to the grim sensuality. Interpol’s strengths are crystallized in the slithery, double entendre-stuffed missive “Stella Was a Diver and She Was Always Down,” where the band’s smoky, colorless urban purgatory becomes fully inhabitable, resulting in what is the most nuanced, resonant, and accomplished six minutes of their entire catalogue.
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At the center of it all is another one of Banks’s manic-depressive muses, a woman who intrigues just as much as she disturbs. “She knows there’s people watching,” he sings.
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“The building fronts are just fronts to hide the people watching her.” In addition to the now-remastered original album, the new 10th anniversary edition of Turn on the Bright Lights includes a disc’s worth of rough cuts and unreleased material. Donate Slant is reaching more readers than ever before, but advertising revenue across the Internet is falling fast, hitting independently owned and operated publications like ours the hardest. Bin file download. We’ve watched many of our fellow media sites fall by the way side in recent years, but we’re determined to stick around.